The latest works
Lithuania the twilight of the Gods short documentary film, 2007.
producer & director: Shusei NISHI |
script and camera : Shusei NISHI |
format : DV -PAL, DVCAM-PAL |
duration: 30min. |
cast: Gediminas Jilys, Vykintas Vaitkevicius, Dalia Doksaite, Daiva Blaziunaite, Kazimieras Mizgiris |
Ritual of White Night short documentary film,2003
Official screening in Detroit Docs 2003
(New!) trailer(Windows media)
producer & director: Shusei NISHI |
script and camera : Shusei NISHI |
format : DV -PAL, DVCAM-PAL |
duration: 20min.30sec. |
cast: Count Ash, Anastasie ("Moon Far Away", Arkhangel'sk, Russia), members of "Akademiya Veterov" (Arkhangel'sk) |
Synopsis
This film is about an unique "Gothic "band from old port town of northern Russia--"Moon Far Away". Leader of the group Count Ash says that so-called "Gothic subculture " is the remains of mystic musical consciousness of Europe. Ash tells his encounter with "Gothic", about the relationship of "Paganism"and Christianity in Orthodox Church of northern Russia, while the camera shows the group's concert in summer solstice of 2002. In this short film, the author continued to develop the theme of "musical creation and religiousness of human being ", which had been mentioned in the last part of his previous work "KISMET".
Stills from the films "KISMET"and "Ritual of White Night"
KISMET feature documentary film
trailer (You need real player)
producer & director: Shusei NISHI |
script and camera : Shusei NISHI |
format : DV -PAL, 16mm |
duration: 75min.45sec.(2812 ft.) |
cast: Anton Brejestovski and members of the ensemble "Caprice" (Moscow) , Emyu, Hideaki Kondo and members of "EXIAS-J"(Tokyo), "Moon Far Away" (Arkhangel'sk, Russia), "JACK OR JIVE" (Himeji, Japan) |
The film is made of 3 parts, each part tells about musical groups in different countries or cities. All tree parts are connected by a journey of the author "I"and his relationship with musicians, whose creation are took usually as "sub culture" or "alternative music" etc.
In part1: Calls from the Past, the author remembers musicians in Russia, who collaborated with him in making short films in Moscow in 1998-99. In June of 2002 the author visited again Russia and met a composer Anton Brejestovski and his ensemble "Caprice", which became fairy famous abroad by the album "Elvenmusic" inspired by the world of elves described by J.R.R. Tolkien and other people. When the author arrives Moscow, the ensemble is just preparing for a concert, where Anton's new works must be performed. Anton's day job as an English teacher, his idealistic attitude to art and music, and the theme of totalitarianism in music, which strongly attracts him—all these elements are illustrated by images and sounds of contemporary Moscow and the ensemble's musical practice.
Part2: Now and Here describes a group of improvisers in Tokyo, EXIAS-J (Experimental Improviser's Association of Japan). In December 2001 they composed and recorded 3 "tone poems", inspired by 3 short films of the author. This part tells how this association of improvisers was founded, where they usually perform music and why they are attracted by so-called free improvisation. As a guide to this unknown world in Tokyo, an American women flute player Emyu, working there long time and participating in free improvise sessions in their home club "Good Man", tells about her encounter with Japanese improvisers. Then young members of EXIAS-J tells their views to music, perform 3 tone poems in a recording studio, theater and in one concert in a Buddhist temple.
In Part3:Music and Visions , the author=narrator return from his past with EXIAS-J and continues his travel in Russia. He goes to the north port town Arkhangelisk, where famous "Gothic" group "Moon Far Away" is just to hold a midnight concert on the opening day of city art festival, at the summer solstice. The leader of this enigmatic group, Count Ash tells his credo in their creation, while the camera shows their ritual-like performance in the Museum of Fine Arts in the city.Count Ash asked the author to give their last album to Japanese group "Jack or Jive", which Ash knows only by their music and with which the author acquainted only recently. Travel to the city Himeji, where they constantly live, interview with them and their unique voice performance in Tokyo concert this year are included in the last episode.
INTERVIEW
Japanese
film
director
Shusei
Nishi
has
just
finished
work
on
his
new
documentary
film"
KISMET",
a
part
of
which
was
shot
by
the
author
in
Arhangel'sk
in
June
of
this
year
during
the
art-festival
Art
21
century.
For
this
purpose
he
has
done
a
long
journey
from
Japan.
The
graduate
of
VGIK,
the
director
has
devoted
the
new
work
to
the
Russian
and
Japanese
friends-musicians
--
chamber
ensemble
CAPRICE
from
Moscow,
Arhangel'sk’s
Gothic
group
MOON
FAR
AWAY,
and
the
fellow
countrymen
JACK
OR
JIVE
and
EXIAS-J.
The
word
kismet
in
Turkish
means
destination
or
fate',
by
this
polysemantic
term
the
author
characterizes
the
meeting
with
creation
of
these
musical
collectives.
In
creating
the
film
Shusei
Nisi
has
refused
a
film-format
in
which
his
previous
works
were
shot,
successfully
past
on
some
international
festivals
It
is
my
second
completed
film
on
video,
-
tells
Shusei,
-
my
first
experience
with
this
format,
"The
Flower
of
harmony",
was
also
a
documentary.
For
me
video
is
convenient
means
for
momentary
shooting
of
things
that
very
strongly
influences
me,
or
means
for
an
economical
embodiment
of
complex
audio
visual
images
based
on
especially
personal
perception.
Means
to
fix
facts
and
imaginations
at
the
same
time,
their
synthesis
on
the
higher
level.
Documentary
film
as
a
genre
of
author's
cinema
can
use
these
two
specifics
at
the
same
time,
so
the
creation
with
video
in
this
field
is
ideal.
-
Main
constituting
element
of
the
film
is
the
story
about
the
Russian
Gothic
groups
MOON
FAR
AWAY
and
CAPRICE,
as
well
as
Japanese
classic
of
this
stream
JACK
OR
JIVE.
What
kind
of
role
in
your
life
has
so-called
Gothic
subculture
played?
Why
is
it
interesting
to
you?
-
Once
I
have
casually
visited
the
Russian
Gothic
portal
in
the
Internet,
and
then
I
have
already
noticed,
that
there
are
many
things
that
had
attracted
me
strongly
before
?
northern
romantic
Caspar
David
Friedrich,
verses
of
Russian
symbolists.
And
it
seems
to
me
that
present
so-called
Gothic
subculture,
in
its
best
representatives,
inherits
tradition
of
symbolism
in
a
general
sense.
I
was
affected
with
symbolical
art
at
all,
and
those
elements
which
were interesting
to
me
in
a
present
gothic
style,
in
music,
fine
arts
or
the
cinema,
all
of
them
exist
in
symbolism
:
the
underlined
sharp
feeling
of
the
form
and
beauty,
a
distance
in
relation
to
everyday
life,
search
for
Divinity
(bogoiskatel'stvo)
through
the
creative
act,
tragic
sense
in
front
of
spiritual
cataclysm.
What
has
affected
your
choice
of
these
musicians
for
the
film?
Why
they
have
participated
in
it?
-
I
can’t
say
that
they
have
taken
part
in
my
film,
it
was
I
who
have
a
little
interfered
with
their
life.
I
looked
for,
not
only
as
the
cinematographer,
but
also
as
a
simple
man
wishing
understand
the
secret
and
meaning
of
Creative
act,
intuitively
chose
for
film
the
most
unselfish
Creators
of
the
most
sublime
art--
Music.
But
only
from
those,
acquaintance
with
which
is
designed,
it
seemed
to
me
so,
by
destiny.
Certainly,
it
does
not
mean,
that
between
us
there
is
an
identical
understanding
this
destiny.
We
encountered
at
the
necessary
moment,
for
me
it
was
so,
and
not
only
for
the
shooting
of
the
film:
in
my
life
meeting
with
authors
of
good
works
of
art
played
and
plays
an
important
role.
They
can
be
the
dead
as
Bach,
Tarkovsky,
Kurosawa
and
Friedrih,
can
be
alive
as
ensemble
CAPRICE
from
Moscow
and
MOON
FAR
AWAY
from
Arkhangel’sk
(IZVESTIYA” Arkhangel'sk, August 27, 2002)
Interview and review (Russian)
more about the author(Russian)